What I heard was an intoxicating mix of new wave, dance, rock, electronic and ambient music, all bound together with what I learned to call African polyrhythms. After scurrying down into our basement office, I quickly threw the record on the turntable, and was immediately blown away. So, on that cool October morning, when I ripped open the box from WEA as I walked toward the station, I was thrilled to see Remain in Light. We fans knew that the band was moving in new directions after the previous year’s Fear of Music, which had begun integrating more complex rhythms, dance beats and world influences into their sound, and the music press was buzzing with anticipation about what they were going to do next. By that time, I had become a pretty big Talking Heads fan (and rued my error in having skipped their show on campus back in my freshman year). This meant that I got to see the new releases before anyone else. It was my responsibility to swing by the post office every day to pick up the station’s mail, including the packages of records. In October of 1980, I was a college junior and assistant program director of WPRB-FM. Maybe that isn’t a statement of general applicability, but it is true for me. And, of course, the first time you heard Talking Heads’ Remain in Light. There are certain things that you always remember.
0 kommentar(er)
